We often look to the theater for spectacle and wonder, but in opera, we find pure enchantment. What is it about the marriage of music and the stage that fills us with such bewilderment and passion? How does the sensual space of opera transport usMoreWe often look to the theater for spectacle and wonder, but in opera, we find pure enchantment.
What is it about the marriage of music and the stage that fills us with such bewilderment and passion? How does the sensual space of opera transport us into the realm of dream?Jean Starobinski considers the allure of several seducers and seductresses from nineteenth-century opera-Monteverdis Poppea, Handels Alcina, and Massenets Manon, among others-and how their stories are woven into the fabric of Western culture. A talented storyteller and renowned critic of literature and music, Starobinski moves from musical analysis and textual exegesis to an investigation of the political, social, and aesthetic scene of Europe at the time.
He traces the elements of theater, poetry, painting, sculpture, dance, and music as they occur in operatic performance, and shows how operas use of narrative genres, especially the fairy tale, in turn influenced many important short stories, novels, and other works.Nineteenth-century romantics were drawn to opera because of their desire to revive a religious vision of the world that the Enlightenment suppressed. Starobinski revisits the experiences of Rousseau, Stendhal, Hoffmann, Balzac, and Nietzsche, major writers who fell for operas portrayal of heaven, the loss of ones love, and the task of the artist, whether composer or performer.
Starobinskis critical breadth and depth, as well as his eclectic taste and keen observation, echo such great comparative critics as Erich Auerbach, René Wellek, George Steiner, Harold Bloom, and Angus Fletcher. This spellbinding book will enchant not only fans of the opera, but also those who wish to understand the forms enduring heritage in Western culture.